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Orkney Saga: How a Journey to Orkney Changed the Way I See & Paint the Scottish Landscape

In my Aberdeen-based studio with recently finished paintings of Stroma and Scurdie Ness lighthouses

The Moment of Change

As an artist, there are moments in your career when you feel a profound shift in your work—when something clicks, and you realise that the art you’re creating is no longer the same. This is exactly what happened with my latest lighthouse paintings, which were recently delivered to Ballater Gallery. Looking at them now, I believe these works are my best yet, but what stands out most to me isn’t just the finished product. It’s the journey I took to get here.

Seeking New Inspiration

In June of 2024, I felt it was time for a new source of inspiration. After years of painting skies and seas dominated by rich Prussian blues, I started to feel a yearning for something different. I wanted to step out of my comfort zone and explore new landscapes that could challenge and refine my artistic vision. After much thought, I knew exactly where to go: Orkney.

Saying hello to the Old Man of Hoy after a blustery walk along the cliffs

Why Orkney?

Orkney is a place that has long been celebrated for its natural beauty and unique light, and I have always heard that many artists and poets have found it to be a deeply inspiring place. What intrigued me most was the idea of its “special light” and how it changes with the weather, time of day and season. Orkney’s rugged, windswept landscapes, with their quiet solitude and vast skies, have captivated many before me—and now, they were calling to me as well.

The Brough of Birsay Lighthouse, Orkney, during a brief sunny spell. Possibly for the easel!

The Impact of Orkney’s Light

Upon arriving, it didn’t take long for me to see how different this place was from anywhere else I’d been. The soft, ethereal quality of Orkney’s light shifted my perspective, albeit without my realising it at the time. I’d come to associate the intense, vibrant hues of Prussian blue with the sea and sky. But here, I found something new and more muted, more natural: an expansive range of greys that seemed to embrace the land, sky and sea in a way that felt more intimate. The colours weren’t just what I saw—they were how I felt, a reflection of the atmosphere itself.

Stroma lighthouse from a very boisterous ferry ride from St Margaret’s Hope back to the mainland … and below, my much calmer interpretation of that same scene
Stroma Lighthouse, Orkney – oil on canvas – 40x120cm

A Subtle Shift in Palette

This shift in palette is something I hadn’t consciously planned, but it emerged as I spent more time on the island, sketching and photographing lighthouses and the coastal landscape, as violent winds constantly roared around me and the rain poured down almost all of the time. The greys in the sky, the soft blues in the water, the shifting clouds—all seemed to whisper to me to pare things back, to allow nature to be the star. In contrast to the bold blues of my previous work, these new paintings feel quieter, more contemplative and more grounded. That’s not to say I won’t ever use Prussian blue again, but right now I am enjoying the serenity of working with this new palette.

Scurdie Ness Lighthouse, Montrose – oil on canvas – 71x71cm – SOLD 🔴

Unaware of the Change

What is most exciting to me is that I wasn’t even aware that this change was happening until it was already underway. It’s as if the spirit of Orkney, with its elusive light and rugged beauty, had gently guided me toward a new phase in my artistic journey—one that has already had a profound impact on how I view and represent the world around me (as can be seen in the above painting Scurdie Ness, Montrose, also at Ballater Gallery).

A New Chapter in My Work

These two new lighthouse paintings—my most recent works—mark the beginning of this new chapter. And although I am proud of these paintings and excited by the new direction of my work, I know there’s still so much more to explore and achieve. Orkney has not only inspired these paintings but has also sparked a deeper understanding of my own personal and artistic relationship with light, landscape and the subtle yet powerful shifts that occur in the natural world … and I can’t wait to see where I go from here!

Where to next?

Looking Ahead

As always, I’m excited to continue sharing my journey with you.

Thank you for joining me on this wee adventure—both through my art and the landscapes that continue to inspire it!

In the meantime, keep your eyes peeled for more exciting news about a very special commission I’ve been working on recently. I can’t wait to share more about all of that with you very soon!

My “Small Paintings” at Ballater Gallery still available until 28th February

Moray Village (iii) 5×7” Acrylic & ink on wood panel £380

David and the team at Ballater Gallery have been hard at work curating a unique show featuring over 250 ‘small but beautiful’ artworks from around 40 of Scotland’s most renowned artists.

Moray Village (ii)
SMALL IS BEAUTIFUL … and affordable!

With most prices being around the £250-£500 price range, this promises to be a hugely popular and successful show. Small Paintings opens officially on Friday 29 November. However, the catalogue goes live tonight (27th) at 6pm and all paintings can be purchased directly from it then and in advance of the show opening.

Moray Village (iv) 5×7” Acrylic & ink on wood panel £380 – SOLD

Each piece has been painted especially for the show and is “postcard-sized” (or thereabouts!) — and unframed — to help keep prices affordable. So this is a great way to start an art collection, or an opportunity to buy a piece by an artist whose work usually commands far higher prices. And if you’re looking for an extra special Christmas present, or to treat yourself because you do deserve it then … click here!

Moray Village (i) 5×7” Acrylic & ink on wood panel £380
MY CONTRIBUTION

I’ve contributed six newly finished pieces, including some vibrant village scenes of the Moray coast (see above), painted with ink and acrylics on wood panels and finished with a gloss varnish for added depth and shine.

Gale Force (i) 5×5” oil on canvas £350 – SOLD

The other two are part of my Gale Force series of stormy seascapes, featuring crashing waves and lighthouses in rich, impasto oil textures on canvas.

Gale Force (ii) 5×5” oil on canvas £350
Opening Night

David is kicking things off at The Viewing Room in Aberdeen this Friday 29th November from 6-8pm. With so much variety and so many paintings on show, this will be a fascinating exhibition! All are welcome to go along on the night and enjoy a glass of champagne while viewing this fantastic collection of stunning small works.

Small Paintings is on for the whole of next week, but if you can’t make it in person you can view the entire catalague online right now by clicking this link. (See my works on pages 16-17)

How to get there

Small Paintings
Ballater Gallery
The Viewing Room
25b Spa Street
Aberdeen
AB25 1PU

Aberdeen Art Gallery – My Prints On Show!

I am thrilled to share the fantastic news that 2 of the prints I produced for Aberdeen Art Galleries and Museums (AAGM) in 2023 are now on show in the city’s public art gallery.

The works were created as part of a £2500 ‘Micro-commission’ award I received from Aberdeen Art Galleries and Museums (and supported by Friends of Aberdeen Art Gallery).

They reflect my own ‘lived experience’ of Aberdeen, the city I have called home since 2021. I chose the themes (and titles) of Disintegration, Transformation and Anticipation, with each print created using a different print-making technique; namely etching, screen printing and digital and photographic methods.

The 2 pieces can be seen on the first floor as part of the View of Aberdeen exhibition, which runs until 2028. The exhibition shares locals’ written personal views of the city (positive and negative) alongside artworks and objects that have inspired them.

Transformation (screen print with chine collé) 2023 © Clive Ramage

My own pieces, Transformation and Anticipation (above and below), challenge current negative perceptions on the future of Aberdeen city centre, specifically focussing on the rebirth of Union Terrace Gardens and the demolition of Aberdeen Market. They highlight how the disintegration of one thing can lead to the creation of something new and positive in its place.

Anticipation (4 colour screen print) 2023 © Clive Ramage

Creating the works was a real challenge, as I wanted to experiment with some new techniques and ideas that were outside of my usual art practice. On top of that, I was also having to produce new paintings for 2 separate solo shows, and everything (including around 40 paintings) needed to be completed by the June deadline for the commission. So the first 6 months of 2023 was an exceptionally busy, but hugely productive and rewarding year for me.

Presenting my Micro-commission at Aberdeen Treasure Hub

Read more about the whole process of my application for the Micro-commission and how I went about creating the works on AAGM website.

The third print in the series is Disintegration (see below) and is now available for sale at my online Shop.

Disintegration (screen print with chine collé) 2023 © Clive Ramage

If you would like to own one or the complete set of these 3 limited-edition, original handmade prints, then please get in touch at cliveramage@gmail.com or via the contact page.

Read more about the View of Aberdeen exhibition here.

 

 

ArTay – Perth Festival of the Arts – Opens Today until 26 May!

It’s the end of May, which means it’s that wonderful time of year again when Frames Gallery in Perth invite over 80 of their regular artists to show their work under the banner (and canvas) of arTay, which is held in a huge marquee next to Perth’s Royal Concert Hall over the next 4 days.

The Bell Rock (Gale Force 10) Oil on canvas 25x25cm

I’ve been taking part in this excellent exhibition for around 10 years now, and it’s always great to catch up with old friends during the hand in and hanging of the works and to see what everyone has been working on recently.

Unfortunately, I was unable to help out with the hang this year as I was on a whirlwind journey around half the country dropping off more work to several other galleries on the day (more on that to come!). I did, however, manage to stop by with the 3 oil paintings here, including the newly finished Bell Rock above, as well as this brand new hand-painted etching of Bow Fiddle Rock below.

Bow Fiddle Rock (i) Hand-painted etching 40x59cm

There’s always a great selection of paintings, prints and objets d’art on show and this 4 day event only seems to get bigger and better each year.

Edinburgh Nocturne (ii) Oil on canvas 80-x80cm

The official preview night, know as the arTay Party, takes place this Friday night (24 May) 6pm – 7.30pm and this is your personal invite! Entry to that and throughout the whole weekend is free, so if you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists.

Isle Ornsay (ii) Oil on canvas 70x100cm

Opening Times:

Thursday 23 May 10am – 5.30pm
Friday 24 May 10am – 7.30pm
Saturday 25 May 10am – 6pm
Sunday 26 May 10am – 7.30pm

arTay Party Friday 24 May 6pm – 7.30pm

Frames Gallery

10 Victoria Street, Perth, Scotland, PH2 8LW
01738 631085
info@framesgallery.co.uk

Northern Lights – Solo Show Graystone Gallery, Edinburgh (10 Feb – 10 March 2024)

Just a quick note to say there’s only 2 more days to see my solo show ‘Northern Lights‘ at Graystone Gallery in Stockbridge, Edinburgh.

Edinburgh Nocturne (Aurora)

There’s around 40 works in total, including several new oil paintings, etchings and Watercolours.

I’ve also included 3 different coloured versions of my Glitter Moon series of prints, each framed in non-reflective, museum-quality glass and currently available to buy only at Graystone Gallery.

Glitter Moons – Yellow, Blue and Pink, etching and screenprint – 69x80cm (framed individually)

The etchings have proved to be very popular, with A Hot Summer’s Day, Elie (seen below) having garnered 4 red dots so far. I have to thank Duncan MacMillan for his positive review in The Scotsman, describing my etchings as “certainly impressive”!

(Read about Duncan Macmillan’s Scotsman review of Northern Lights here.)

A Hot Summer’s Day, Elie

If you’d like a little more detail about the show and see a lot more pictures then I’ve written a blog post which can be found here. Or you can go directly to the gallery’s Northern Lights catalogue here.

Opening times are listed below:

Graystone GAllery OPENING TIMES

Mon-Tues: Viewings and private sales by appointment

Weds-Fri: 11:00-18:00

Sat: 10:00-17:00

Sun: 12:00-16:00

Click here or on the image below for all the details and pictures in Northern Lights!

Duncan Macmillan Reviews ‘Northern Lights’ in The Scotsman

I was thrilled to get a positive review from Duncan Macmillan in The Scotsman this week after he visited my show on Saturday.

“Meanwhile, the Graystone Gallery in Hamilton Place in Edinburgh is a new venture and is currently showing prints and paintings by Clive Ramage. I have noticed Ramage’s prints several times in group shows and the assembly of them here is certainly impressive.”

As well as being Professor Emeritus of the History of Scottish Art at Edinburgh University, Duncan has also been The Scotsman’s leading art critic for several decades and has written many authoritative books on Scottish art. So it meant a lot to me to hear that he had enjoyed the show and was particularly taken with my etchings.

Super Moon

He has praised my moon etchings in Scotsman reviews in the past and also recently gave a favourable mention to my Dunnottar Castle print, which was shortlisted for the inaugural Scottish Landscape Awards.

I’ll be back at the gallery on Saturday 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also my inspirations. I’ll be happy to answer any questions you might have if you come along. Please contact gallery owner Lesley at the address below to book your free ticket:

lesley@graystonegallery.com

Northern Lights – A Solo Exhibition at Graystone Gallery, Edinburgh

Last Friday night saw the opening of my latest solo show Northern Lights at Graystone Gallery in Stockbridge, Edinburgh.

A welcoming window display with my latest oil painting of Muckle Flugga (finishedand framed  just hours before the show opened!)

And despite the inclement weather it turned out to be a busy private viewing, with people travelling from as far as Aberdeen, Glasgow and Fife for a first look at my latest work.

Over 40 of My Paintings & Prints on Show

With around 40 original pieces hanging across the gallery, it’s a real showcase of everything I’ve been working towards over the past 15 years.

The show is divided into three areas: oils, mixed media and etchings …

… with the pictures hung according to those groupings and in roughly equal numbers.

All in the name

I chose the title Northern Lights as it aptly reflects the nature and atmosphere of the majority of the work included in the exhibition. There are 12 oil paintings in the show, including the 3 above, which feature either Scottish lighthouses or shimmering twilight views across the Firth of Forth.

Glitter Moons – Yellow, Blue and Pink, etching and screenprint – 69x80cm (framed individually)

I’ve also included 3 original prints from my ‘luminous’ Glitter Moon series (above), as well as numerous colourful watercolours of Edinburgh and the East Neuk of Fife.

It’s not all about light and colour, however. In my etchings I focus more on the details, marks and tones that help to give each of the prints something distinctly different from all of my other work. On one wall you’ll find various craggy Scottish mountains and ruined castles, including Ben Nevis and Dunnottar. These are accompanied by atmospheric cityscapes of Edinburgh’s Old Town, Victoria Street and Dean Village …

The North Face, Ben Nevis, etching 44×18.5cm

… while on the opposite wall are more etchings of seascapes, including the old piers at both Culross and Aberdour (both shown below).

I’ll be back at the gallery on 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also inspirations. I’ll be happy to answer any questions you might have too.

So if you’d like to attend then please get in touch with gallery owner Lesley at: lesley@graystonegallery.com

Northern Lights is on show now at Graystone Gallery in Edinburgh’s gorgeous Stockbridge and continues until 10 March 2024. If you manage to get along to see it then please get in touch and let me know what you think at cliveramage@gmail.com 

Some words from Graystone Gallery about the show …

“Look closely at the oil paintings in Northern Lights and you can sense a love of Whistler’s London nocturnes. Clive imbues his oils of lighthouses and the darker seascapes with that same feeling of delicate stillness and calm, building it with layer upon layer of transparent glazes …

Edinburgh Nocturne (Aurora), oil on canvas 98x98cm framed (detail)

The ramshackle buildings and highly detailed compositions and colour schemes of Schiele and Klimt’s landscapes have also had a big influence, which can be seen in the watercolours of coastal villages and Edinburgh in particular …

Ramsay Garden (ii), mixed media – 79x38cm framed

His intricate, detailed etchings, such as Dunnottar Castle, tell their own romantic stories, the individual marks carving out a brooding landscape …

Dunnottar Castle, etching – 77x59cm framed

In each of Clive’s works, there is a tangible sense of yearning, of a desire to create something that is beautiful, yet distant or unattainable. It’s there in those city lights twinkling and beckoning the viewer from far across the Firth of Forth …

The Bass Rock, oil on canvas 80x80cm framed

But there is also a drama at play in these atmospheric pieces that comes from a deeply felt need to create a perfectly constructed arrangement, or a harmonious symphony, out of the interplay between the land, the sea and the elements. Or, perhaps, the essence of Clive’s work is simply his attempt to try to capture and hold on to some long-sought feeling of calm and serenity.”

Graystone Gallery
52 Hamilton Place
Edinburgh
EH3 5AX
GENERAL OPENING TIMES

Weds-Fri: 11:00-18:00
Sat: 10:00-17:00
Sun: 12:00-16:00

Mon-Tues: Viewings and private sales by appointment

Strathberry Commission

Just in time for Christmas and after several months in the making, I am delighted to share some very exciting news about recent work I have been doing for top Scottish luxury leather goods brand Strathberry.

 

Strathberry HQ Christmas animation

For those of you who don’t know, Strathberry is based in Edinburgh’s West End and has a retail outlet in the city’s Multrees Walk, along with 3 stunning boutiques in London’s Covent Garden, Kings Road and Burlington Arcade.

They are internationally renowned for producing high quality, beautifully hand-crafted handbags and are the go-to brand for the likes of Kate Middleton and Meghan Markle according to Marie Claire.

The Princess of Wales loves Strathberry

It was just over a year ago that I was approached by Amber, Chief Marketing Officer at Strathberry, in a particularly serendipitous twist of fate. The company was about to celebrate its 10th anniversary and wished to use their stunning 4 storey Georgian townhouse, in Edinburgh’s Melville Street, as the new face of the brand. She had googled ‘Edinburgh artist’ and, as a result of that search, came across a previous blog post of mine where I had detailed the various stages towards completion of a commission I had recently done of a similar townhouse in the city’s Rutland Square (see that image below and click here to read that post).

 

Rutland Square Commission

Impressed by the end results of that project and looking for something similar but uniquely ‘Strathberry’, they commissioned me to produce a detailed ink drawing of their HQ. The brief was not only to create something that was representative but something that could also be utilised in a variety of novel ways going forward: for example, an image that might be flexible enough to appear on packaging, tissue paper and product care booklets, as well as being featured in a variety of media online and in print.

Strathberry HQ Final Drawing

With all of that in mind, I created the image above – deceptively simple in design and finish, but far from simple to produce. In order to fit the whole building into the frame (including the roof and chimneys as well as the basement) I had to somehow show it from mid height (I used a drone to get a variety of photos at different heights for this purpose). However, this created its own problems in that a bird’s eye perspective had the effect of warping the entire image, revealing too much basement  and moving the focal point away from what I hoped would be a welcoming doorway that would lead the viewers into the building – so to speak.

In the end, and after a couple of time consuming false starts, I managed to compose an image which shows the entire building without warping the perspective at all, while giving equal prominence to every storey (roof and basement too) but maintaining the entrance way as the main focal point. I submitted my final ink drawing in April and, thankfully, Strathberry owners Guy and Leanne were delighted with the result.

Now it was time to paint the townhouse (see below)!

The Strathberry Townhouse

Again, I wanted to keep the painting as simple but effective as possible, while showing the Strathberry townhouse at its very best. 34 Melville Street, Edinburgh is not only the company HQ, but it’s also the place where products are designed and marketed (as shown to great effect in the magical Christmas animation above). It also happens to house a sumptuous showroom on the ground floor. All in all, Strathberry HQ is an extremely elegant Edinburgh townhouse – sophisticated, yet warm and welcoming – and I hope to have created something that reflects those qualities with these images.

Commissions are never straight forward or relaxed affairs but, much to my relief, Guy and Leanne were again delighted with the final painting, which I delivered in June (see handover picture below).

I’ll post a more detailed account of the whole procedure in a future blog piece, including a stage by stage breakdown of the creative process involved. But for now I just wanted to show the final images produced for this prestigious commission and give a little more information about how Strathberry have been using my images to help celebrate their 10th anniversary and also to showcase their stunning World Heritage listed HQ.

A detail of the painting pops up when hovering over Strathberry Stories on the company website
The beautifully animated version has been on show on window display screens in every Strathberry boutique in the land

And and how’s this for a bit of unashamed name dropping … ? I was recently informed that ex US president Bill Clinton, while on a shopping trip to London, was entranced by the animation while walking through the Burlington Arcade store. So much so that after watching the whole clip he was enticed into the store and purchased 4 handbags for Hilary and Chelsea!

Strathberry have also used an inverted version of the ink drawing on menus for a recent press event at the Kimpton Hotel in Edinburgh.

Menus featuring an inverted version of the image

The Strathberry story will continue to develop over coming years and I am very excited to see how the image I created for the company will be utilised in exciting new ways going forward.

In the meantime, I hope to do more of this kind of work in future. So if you are looking for a similar (but different!) picture of your own elegant townhouse, or anywhere else for that matter, and would like to discuss how to make that happen, then please do not hesitate to get in touch via the contact page or by emailing me at: cliveramage@gmail.com

Proud and delighted to see my work being used in such a wonderfully creative way this Christmas!

Wishing you a very Merry Christmas and a prosperous and Happy New Year!

Scottish Landscape Awards at the City Art Centre, Edinburgh (4 Nov 2023 – 3 March 2024)

Saturday 4 November saw the opening of the inaugural Scottish Landscape Awards (SLAs) at Edinburgh’s City Art Centre.

And I was delighted to be able to attend the highly anticipated private view of this prestigious new exhibition the evening before, having had my etching of Dunnottar Castle shortlisted for the SLAs back in July.

It was one of only 133 artworks to be shortlisted from almost 3000 entries and, although it didn’t win a prize, I was extremely proud to see it hanging in a fantastic spot in one of the country’s best and most visited public galleries.

Dunnottar Castle, etching and aquatint

It was a wonderful evening of catching up with some old friends in my former Edinburgh stomping ground, as well as meeting a few of my own favourite artists for the first time. It also allowed me to see what’s happening right now at the sharp end of Scottish landscape painting and printmaking.

The variety of work on show at the Scottish Landscape Awards – not to mention the talent and skill employed to create it – ensure that this is a hugely enjoyable exhibition for artists and art lovers alike, showcasing the country’s huge diversity in subject matter and the many different and intriguing techniques used to create the pieces.

My partner Pam who accompanied me on the night

And, of course, its always great to see your work shown alongside your peers and some of this country’s most successful and admired artists.

Barbra Rae announcing the SLA winners (photo by Greg Macvean)

My image of Dunnottar Castle came about as part of a commission I was awarded by Aberdeen Art Galleries & Museums in January 2023. Click here to learn more about and the various printmaking methods I used in its creation. I am also very proud to have an artist’s proof of this print, along with the 3 others I produced for that commission, in Aberdeen Art Galleries & Museums’ permanent art collection.

Describing my working methods to the Friends of Aberdeen Art Galleries & Museums at the city’s Treasure Hub earlier this year on completion of the commission

This has been a particularly busy and hugely rewarding year for me so far: with two successful solo shows under my belt at Frames Gallery in Perth and Inverness Creative Academy; the aforementioned commission from Aberdeen Art Galleries & Museums; and another for luxury Edinburgh-based leather goods brand Strathberry Ltd (of which there will be more to report soon).

At the Scottish Landscape Awards private view with my show catalogue and print of Dunnottar Castle

And having my work included in the inaugural Scottish Landscape Awards exhibition, as well as featured in the gorgeous catalogue that accompanies the show, means that this has also been my most successful year to date.

Meffan Winter Show 2023

But it doesn’t end there for 2023, or for this particular print! I am happy to say that Dunnottar Castle is also featured in the Meffan Art Gallery annual winter show, which opened in Forfar on Friday 10 November.

As for the rest of the year, I will be working hard to produce new paintings and prints for my next solo show, which is at Graystone Gallery in Edinburgh in February. Details to follow, but I am excited to be the first artist to have a solo show at their brand-new gallery premises in Stockbridge.

The Scottish Landscape Awards is on until 3 March 2024 at the City Art Centre, Edinburgh. Click here to buy a gorgeous catalogue featuring every picture in the exhibition.

Dunnottar Castle, in a limited edition of only 40 signed and numbered prints, is currently available to purchase (in a frame) at the City Art Centre, Edinburgh and the Meffan Institute, Forfar. Unframed prints can also be bought directly from my shop by clicking here.

St Columba’s Hospice Art Show – opens in Edinburgh this Sat 28 October

Just a quick update to say I have 4 etchings for sale as part of the annual St Columba’s Hospice charity fundraising event, which opens to the public this Saturday 28th October at 10am.

The Bell Rock, photopolymer etching (42x42cm)

I’ve been taking part in this fantastic event every year for almost a decade and it’s always a great show. This year promises to be bigger and better than ever with paintings and prints by over 70 artists, alongside a selection of sculptures, ceramics and tapestries.

Victoria Street, Edinburgh, etching (16x21cm)

Buying art, helping others

At least 50% of every penny spent on art over this weekend goes directly to the charity, so it’s a great way to buy something you’ll love and cherish forever while helping the hospice continue to do its incredible work.

This year I have contributed the 4 pieces you can see here. But you’ve only got 2 days to see the show in person and snap them up (although the works can be viewed and purchased online between 10am Saturday 28th October and Friday 3rd November). Click here for the direct link to the online exhibition!

Fidra, photopolymer etching (19x42cm)

So if you’re in Edinburgh or fancy a day out then get along to the stunning St Columba’s Hospice building this coming Saturday or Sunday between 10-4pm and treat yourself to something beautiful … you know you deserve it! It’s worth the trip for the incredible views across the Firth of Forth alone!

Here’s where to find the art show. It’s free to enter and on-street parking is available:

17 Boswall Road, Edinburgh EH5 3RW