Here are a selection of some of the paintings currently on show at Fire Station Creative. All are for sale.
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As well as having the solo paintings show on at Fire Station Creative, Dunfermline, right now, I will also have some of my Edinburgh etchings on show and available for sale at Edinburgh Art Fair this weekend.
Please click the links for more info! I’ll be demonstrating printmaking techniques there tomorrow, so stop by and say hello and have a go yourself if you can make it!
Hope to see you there!
Clive
Only 2 weeks to go until my solo exhibition at Fire Station Creative. Here are some words and pictures to help shed some light on what will be hanging on the walls there. The preview will be held between 7.30-10pm on Friday 6th November and the show runs until Sunday 22 November. I hope to see there.
I grew up in Arbroath, so have always been drawn to the sea. Each night, like clockwork, the Bell Rock, the Isle of May and the Fife Ness lights would intermittently flash their beams out across the cold, dark sea miles and I would watch – mesmerised at my bedroom window. I’d follow the fishing boats as they puttered out into the firth from the harbour, eventually becoming little more than red and green dots that slowly edged beyond the moonlit horizon. The twinkling orange lamps of St Andrews and Kingsbarns would beckon to me from far away across the Firth of Tay and illuminate my dreams. Those mysterious, exotic lights across the sea have continued to tantalise and inspire me and I have always wanted to capture something of that magic and atmosphere in pictorial form. So my campervan travels around Scotland’s coast this year have provided me with a wealth of inspiration for new paintings and etchings; I feel I have barely begun to scratch the surface with the work for this exhibition.
I quickly discovered that it wasn’t so much the lights themselves that were interesting me pictorially, but their situations within the surrounding landscape and the wild spaces between them. Lighthouses proved to be a wonderful general theme for the trip and also a great focal point for some of the paintings, but the ‘interesting’ Scottish weather and the colours and atmosphere of each location probably became the more important feature of the work.
I was very fortunate to be awarded a grant by Fife Contemporary Arts and Crafts to help fund my travels, which took me from The Mull of Galloway at the south western tip of Scotland to Stromness in Orkney. I have yet to reach Muckle Flugga, Scotland’s most northernly lighthouse, but I will get there one of these days!
Last week I spent a fantastic 4 days travelling down to The Mull of Galloway via every lighthouse I could find en route. The sun was blazing and the sunsets were magnificent all the way! I also visited the towns of Girvan, Turnberry and lovely Portpatrick, and had a wander round Culzean Castle too.
In a snug wee Portpatrick pub last Friday evening, I had the very good fortune to find myself sitting next to a chap called Rab and his wife Kate. Rab just so happens to be the son of a lighthouse keeper, so we spent the whole evening getting acquainted over beer and whiskey and chatting about the various lighthouses he’d grown up in, including Corsewall Head which I’d spent that very afternoon visiting; as well as Tod Head and Kinnaird Head which I’d been at only the week before. His father also spent 5 years 12 miles out in the North Sea off Arbroath on one of the most famous and notorious reefs on the planet (and my own home lighthouse) The Bell Rock. It turned out to be one of those very serendipitous evenings. Rab now runs an engineering company that is contracted by the Northern Lighthouse Board to maintain some of Scotland’s more remote lighthouses, and he kindly offered me the chance some day to go along with him for the ride on one of his jobs. I will have to earn my keep though, maybe even getting a chance to fling some paint at a ‘real’ lighthouse instead of just at a painting of one!
So here are a few of the best photos from the many hundreds I took. It’s not all about lighthouses though. I got some shots of boats, harbours and birds too.
I will be attempting to translate some of these and the many others I’ve been taking into artworks for an exhibition at the end of this year. But, unfortunately, I won’t be doing any of that this week since I sprained my painting hand whilst attempting to show my daughter how not to use her new skateboard!
So today I’ll be heading north again to get my campervan’s gearbox fixed in Stonehaven. I might even have time to visit Scurdie Ness lighthouse near Ferryden, which just so happens to be up for sale (if you happen to have a spare £360K in your back pocket and always dreamed of owning your own lighthouse!).
If you’re interested, check it out here: Scurdie Ness Lighthouse
Here are the first photos from my journey around Scotland’s amazing coastline (Ardnamurchan, Mull and part of the East Coast). I will be using some of these as the inspiration for new paintings and prints. Plenty more to come, so keep watching this space!
Here’s a map of all the Scottish lighthouses that I found at Ardnamurchan Point. There’s a lot of them! Almost 100 and pretty much all built by the Stevenson family within 100 years from the first (the Bell Rock) which was finished in 1810. I hope to get to as many as possible over the next few months as part of my project, The Lights That Never Go Out, An Artistic Odyssey From Muckle Flugga To The Mull of Galloway.
So after a day spent washing clothes and repacking the campervan after the Easter trip to the west coast, I’m off again to spend the next few days and nights sketching and photographing the lighthouses between Montrose and Fraserburgh. Tonight I’m hoping for a clear and starry sky (ie. no fog horn!) spent at the foot of Rattray Head.
Since there’s going to be a total eclipse AND a ‘super moon’ tomorrow, I thought I’d try and finish the print I’ve been working on all week, as it is kind of appropriate. When I started it last week I didn’t know about all the celestial events coming up.
It’s an aquatint and spit bite print from a copper plate and is my largest to date at 48x58cm. I found an old photo I took from the Fourth Bridge a few years ago and thought it would make a nice change to do something completely different. I enjoyed making it so now I might do a whole series of planets, moons etc. Watch this space!
Anyway, for those who always like to ask how long it takes to produce a particular work of art, I can tell you that each of the 4 stages of development took a full day (about 8+ hours). To run off the final print takes roughly an hour on average, as it’s a large one at 48x58cm and there’s a lot of ink to put on then wipe off each time before running the plate through the press.
Don’t forget your special eclipse specs for tomorrow!
I’ve been working on a smaller scale these past few weeks, partly as a way into painting again after a long period of etching in monotone and also for an exhibition of small works at Morningside Gallery in Edinburgh. I’ve really loved working in watercolours again, which is how I started way back when.
Here’s the latest little picture I’ve just finished of Jeffrey Street from North Bridge, Edinburgh, which will be winging it’s way through to Edinburgh later this afternoon. This one has ended up in Marchmont Gallery along with a few other pieces. I went in on spec this afternoon and the manager, Karen, wouldn’t let me leave with it! Delighted to be represnted by another lovely gallery in Edinburgh!
I wish it wasn’t just my paintings and prints that will be attending tonight’s wonderful looking banquet at the Abbot House. They’ll be adorning these fine medieval walls for the coming weeks, so drop by and have a gander if you’re in the vicinity. All are for sale just in case you’re still on the hunt for something with a very personal touch and created by my own not-so-fair hands!
