This is the final week of my solo show Paintings & Prints From Scotland To The Moon at Inverness Creative Academy.
I’ll be on site from 2-3.30pm this Friday 14th July to give visitors a guided walk around the 40 pictures. I’ll discuss the many techniques I use to create the works as well as the inspirations and ideas behind them. I’ll also be more than happy to answer any questions about my practice and experience of working as a full-time artist.
It’s free entry so just show up at the cafe at 2pm and say hello. I’ll look forward to meeting you then!
Paintings & Prints From Scotland To The Moon is on until Saturday 15th July at 4pm.
Saturday 10th June marks the opening of my first ever solo show in Inverness.
With this body of work I hope to showcase both my varied interests and inspirations as a landscape artist, as well as the many techniques I use and often combine in their creation.
The Bell Rock (Twilight)
In conjunction with Wasps Artist Studios, I will present around 30 pieces in total. These will include dramatic new oil paintings of Neist Point and Isle Ornsay in Skye, alongside several mixed-media cityscapes of Edinburgh and surroundings.
Neist Point, SkyeIsle Ornsay (detail from wip)Towards Arthur’s Seat, EdinburghFidra Lighthouse
Also on show will be a selection of atmospheric etchings featuring, among other things, several Scottish lighthouses, castles and mountains.
Dunnottar CastleVictoria Street, EdinburghNorth Face, Ben Nevis
There will also be 3 different coloured versions of my recent series of Glitter Moon limited-edition handmade prints, framed with non-reflective glass and available to buy for only the second time.
Glitter Moons – Yellow, Blue & Red, etching and screenprint, 47x57cm (individual image size)
So, all in all, there will be plenty to see across the two floors my show will occupy.
I will be at Inverness Creative Academy between 12-4pm for the opening on Saturday 10 June, so please come along if you are in the area. It would be great to see you there!
After almost a year of hard work and preparations, last Friday night saw the opening of my solo show at Frames Gallery in Perth. And what a fantastic night it turned out to be, with almost a quarter of the pictures sold within 2 hours!
But I have to admit that I am always a little anxious when it comes to opening nights, and especially when it’s just my work that’s on show.
There’s a lot of pressure to get everything finished, framed and on the walls on time and I feel that heavily on my shoulders for weeks in advance.
A quick spin around the show!
And there’s quite a lot of variety in my work too, so I’m also always wondering how all of those pictures will look when they’re hanging together in one room.
Glitter Moons, watercolours and etchings Etchings and oils with a sea theme in the main
Of course, I’m also hoping there’s going to be a good turnout for the opening, as a great atmosphere always helps to get any show off to the best start.
But in spite of my growing nerves as 6pm approached on the big day, I should really have known that I needn’t have worried! Hugh and his team at the gallery had done a brilliant job of hanging the show and I couldn’t have been happier with how all 45 pictures were presented!
The first picture to sold was one of the largest, Muckle Flugga, oil on canvas
And to add to my great feeling of relief and excitement I was delighted to see that there were already some red dots accompanying pictures before the doors officially opened!
It’s always lovely to chat to the people who have been to my previous shows and have bought my work in the past, and I love to meet those who’ve come along to see it for the first time.
Two more of my lighthouse oil paintings sold on opening night!
It’s really the one chance I get to hear what people think of my newest work and that feedback is always very helpful when it comes to starting new pictures.
All in all it was a lovely night, with lots of interest and by closing time at 8pm 10 pictures were sold, ranging in price from £250 for a framed etching of Victoria Street in Edinburgh to £3450 for my large oil painting of Muckle Flugga.
Glitter Moon – Black & Gold
Glitter Moon – Blue
I want to say a huge !!THANK YOU!! to Hugh, Julie and Jenny at the gallery for making it such a wonderful event and also to Lucy who so beautifully framed many of the pictures there! Massive thanks also to Kevin at Framing Point in Aberdeen for his incredible service and help over the past couple of years! I can’t recommend both highly enough!
And, finally, thank you so much to everyone who came along on the night, with some of you traveling a fair distance to get there! When you buy my pictures, or any artist’s, you really are helping to ensure that we can keep making more and the world would be a much duller place without art!
Here are some photos from the night. If you couldn’t make it along but still want to see the show, then you still have 2 weeks to go. And if you do go, please let me know what you think.
I am delighted to announce that my first solo show with Frames Gallery in Perth opens in less than a week and will run until 25th March! I have been exhibiting regularly with the gallery since the very earliest days of my artistic adventures, and working with Hugh and his team has always been a great pleasure.
I hope this diverse collection of over 40 paintings and original prints will not only demonstrate my development as a painter and printmaker over the past 15 years, but will also be something of a visual feast. However, that’ll be for you to decide!
Come along and enjoy a glass of wine at the private view this Friday 3rd March 6-8pm at Frames Gallery. It would be great to see you there!
Here is just a little taster of what will be on show …
Neist Point, Skye, oil on canvas
Muckle Flugga, oil on canvas
The Bell Rock, photopolymer etching
Glitter Moons – Yellow, Blue & Red, etching and screensprint
The North Face, Ben Nevis, etching and aquatint
The Old Town, Edinburgh (Twilight), mixed media over etching
Towards Arthur’s Seat & South Queensferry, mixed media over etching
I will have a few artist proofs available to buy soon and they can be reserved by contacting me directly. Click here to reserve yours now!
However, the first and original Super Moon is still available to buy here!
Super Moon
And, if you’re quick, you still have time to grab one before Christmas!
Better still, you can get 25% off the usual price using discount code BLACKFRIDAY
It’s that time of year when everyone’s looking for a good deal. So I’ve decided to offer a HUGE 25% Black Friday DISCOUNT on all my giclée prints and etchings for a very limited time only. (Ends Sun 27th Nov at 11.55pm)
Dean Village (Sunset) – 65x50cm (usual price £150 – now £112.50)
So if you’re looking for an extra special and very personal Christmas present for yourself or a loved one then look no further!
The Old Town, Edinburgh – 65x50cm (usual price £150 – now £112.50)
Select anything from my Big Cartel shop using discount code BLACKFRIDAY and you’ll not only get this great saving but you’ll also receive it carefully wrapped and packaged well before Christmas.
Towards Arthur’s Seat, Edinburgh – 45x33cm (usual price £95 – now £71.25)
And that includes one of my very rare and highly saught after Blue Moon etchings! There’s just a couple of these available right now, so you’ll have to be quick off the mark to get one at this price – and with almost £150 off the usual price!
[PLEASE NOTE: my Blue Moon numbered edition has now SOLD OUT! See most recent post for details on how to reserve a a very rare Artist Proof Blue Moon!]
Blue Moon A/P – etching 57x47cm image size (usual price £595 – now £446.25)
I am very excited to be showing several of my oil paintings and handmade prints with Edinburgh’s newest purveyor of fine art, Graystone Gallery. Owner Lesley has found a truly inspired space for her inaugural show in what has to be the most exquisite and stylish boutique hotel I’ve ever seen!
And you are invited to the Private View at 24 Royal Terrace this coming Thursday (details below).
On any given day, the walls of 24 Royal Terrace, aka The Art Hotel, are full of colour and when I dropped off my own works for this winter show last Friday I was astonished (in a very good way!) to see such a huge variety of great art in one incredible setting. The pictures above give only a tiny taste of what it’s really like in there!
Glitter Moon – Blue Etching and screen print 58 x 48cm (image size)
The hotel owner, who has personally collected art from around the world and curated each and every room herself, not only has excellent taste but has created a highly unique setting in which you can indulge yourself over a cocktail or a fine whisky while taking in some fabulous contemporary art.
The Bass Rock (Nocturne) Oil on wood panel 74 x 74cm framed
Alongside some pretty huge and important works by the likes of John Bellany and Alan Davie, there’s a highly ecclectic mix of landscapes, figurative and abstract pieces that should pique the interest of any art enthusiast. I could easily have spent a day in there myself!
Dubh Artach Oil on wood panel 74 x 74cm framed
For this first Graystone Gallery pop-up show a number of the walls have been rehung with works by around 20 contemporary artists from Scotland and beyond, including 9 by yours truly.
Where There Is Light Oil on wood panel 78cm x 78cm framed
So if you love art and happen to be in Edinburgh this coming Thursday evening then you need to get along to the private view (details below)!
Rattray Head (Cirrus Clouds) Oil on canvas 79 x79cm framed
If you can’t make that then the show will run until 2 Jan 2023. And, as you can see below, Lesley has also organised a number of events to run alongside this show, including an Artist’s Night, at which I and a couple of others will discuss our techniques and inspirations.
It all promises to be a very special feast for the eyes and one not to be missed this festive period!
I am delighted to be showing two recently finished large oil paintings for the first time with Ballater Gallery at this weekend’s Aberdeen Art Fair (details below)
Dunnottar Castle
Dunnottar Castle – oil on canvas – 80x80cm (unframed size)
Dunnottar Castle is quite possibly THE perfect landscape painter’s subject. Sitting atop a magestic outcrop of rusty red sandstone, surrounded by constantly changing seas and skies, it’s sheer immensity and magnificence are breathtaking – the scene simply demands to be painted!
My favourite place to paint!
The above painting is the view from the little bridge that spans the deep gully and leads to the cliffs on the western side of the castle. Those cliffs have also been a favourite haunt of mine over the past few months and are a great spot to paint en plein air (below).
Me painting en plein air at Dunnottar Castle
After spending several months working on this particular painting – and trying do the scene the justice it deserves – it will be great to see it hanging at the Aberdeen Art Fair (AAF) from this Friday.
Muckle Flugga (Old Norse Mikla Flugey, meaning “large steep-sided island”) is the northernmost point of the British Isles and, in my own humble opinion, has to be one of the most dramatic lighthouse locations on Earth.
I hope to have captured something of the rugged nature of the rock itself, but also of the precariousness of that lonely lighthouse perched upon it. The perpetual crashing of great ocean waves has done little to change this scene since the lighthouse was built in 1854. But nothing lasts for ever – apart from oil paintings hopefully!
“The theme of the sea also comes up again and again in the work of Fife Dunfermline Printmakers Workshop in the Lesser Hall in James Street. Also part of the invited programme, this artist-run cooperative brings together a range of artists working in different styles and media. Particular highlights include Clive Ramage’s striking etching of the moon and Catherine King’s large monotype landscape, capturing weather, clouds and water in saturated shades of blue and grey.”
And I am also delighted to report that 3 of my Blue Moon prints sold on the very first day! That means there’s only 2 left to buy from the very limited edition of just 20 numbered prints!
One of 3 Blue Moons sold at Pittenweem on opening day. I wish this framed one had been left there for the whole show! I’ll have another framed for my NEOS event in September though, where I’ll also have some artist’s proofs for sale. Some lovely work also on show here by my Dunfermline printmaking colleagues Catherine King (left), Olga Krasanova (bottom right) and Peter Kirley (top right).
This moon etching really does seem to glow as brightly as the real thing and it makes a beautiful and bold statement on any wall. It comes from an extremely limited numbered edition of 20 and they have consistently sold at the few shows I’ve entered them.
Here’s a video of me pulling a print from the copper plate just last week …
There are now only 2 numbered prints left, plus a few artists proofs (which I’ll be holding on to for my North East Open Studios (NEOS) event 10-19 Sept 2022 – more details to come!).
Me with my moon print at the preview on Friday night
So if you want your very own Blue Moon to gaze at whenever you like then get in touch with me now or follow the link to my shop and bag yours before they’re all gone!
My Dunnottar Castle print at Pittenweem alongside work bt Peter Kirley (left) and Bethany Snaddon (right)
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Original, hand-made etching printed on 310gsm Hanhmuhle etching paper.
Limited to an extremely small edition of only 20 prints.
Image size: 57.5 x 47 cm (22.5 x 18.5 inches)
Paper Size 71 x 53.5 cm / (28 x 22 inches)
Shipping: The print is sold unframed, but lovingly wrapped and rolled in tissue and packaged in a tough cardboard tube for protection. UK p&p is £20 and shipping time is around 2 weeks. International delivery is £25 but allow up to 3 weeks.
This is the final week of my solo show Paintings & Prints From Scotland To The Moon at Inverness Creative Academy.
