After almost a year without access to the print workshop, I’ve come to realise just how much I get out of the whole technical aspect of printmaking. It’s a very different form of creativity in relation to the much more instinctive activity of putting paint directly onto a surface and seeing instant results. Good or bad!
Etching in particular requires a more methodical and analytical approach to the production of every piece, which in turn forces you to slow down and think hard about each and every step of the process along the way. A painting can be done in minutes, but an etching can take weeks to get right.
I often find painting pictures to be extremely frustrating, as I do tend to work quickly and instinctively and this can sometimes result in nothing more than a deflated feeling of having wasted lots of time and materials. Somehow I never feel like that when I’m making prints, probably because it does require that level of concentration and focus that seems almost to be the opposite of how I want to work with paint.
But to be able to switch between these two seemingly opposing methods of creativity (even if the end result can look quite similar) is something that helps keeps me constantly motivated and inspired. Each can inform the other approach but also provides an opportunity to think and work with a fresh impetus.
The above prints were the result of my first day back at Dunfermline’s printmaking workshop in over 6 months. I have to say it was the most enjoyable day of work I’ve had all year!
Until recently, I’d never heard of “The Beggar’s Mantle Fringed With Gold”. It was King James VI of Scotland who coined that description of Fife’s coast; the ragged shoreline being the frayed cloak from which the begging hand of Fife is held out in hope that the sea will provide sustenance. The gold lining perfectly captures the beautiful fishing villages that fringe the East Neuk, especially when the phosphorescent orange street lamps are aglow and the houses are lit up and cosy on a cold winter’s night.
I came to hear of it one Saturday morning a few weeks ago when my phone pinged to inform me that another painting had sold from my Big Cartel shop. As always, I got in touch with the buyer right away and, after discussing postage and various other details, asked where he’d come across my work.
Back to the beginning
The reply was so very unexpected and it not only made my day but also gave me the biggest confidence boost an artist could wish for.
The answer had its roots way back when I first started exhibiting in 2008. In fact, it was at the first exhibition I ever entered (the annual open at Kirkcaldy Museum and Art Gallery) that Jim had spotted my work. It was an oil painting of a row of typically-colourful cottages all huddled together along the shore, looking almost fearful of the next incoming tide. I’d given it the title Awaiting The Turn of The Tide with that thought in mind.
A few days after the opening I returned to see the whole show and was thrilled to find my first ever red dot. The painting really seemed to glow and stand out quite nicely in that large space. I walked out with my feet in the air and feeling this idea of being an artist I’d had for a while might just work!
But you never really think about all the other people who might stop and have a look at your efforts in a gallery. So it came as a big surprise to hear that it was way back then that my new buyer informed me he had first seen my work. He had gone in on a mission to find inspiration for a song he was trying to write for a performance he’d soon be giving at that year’s Stanza Poetry Festival in St Andrews. The song had to capture that ‘beggar’s mantle fringed with gold’ feeling. He told me that it was my painting of glowing cottages tumbling down into the sea that had helped him to visualise an idea of what he wanted to capture in words. He went off and wrote the lyrics below for Dances With Angels, performed it at Stanza and that, as they say, was that.
But now, 12 years later and living in Kent, he told me he’d always remembered that painting (someone else had bought it) and was now in a position to buy one of my East Neuk pictures for himself. In fact, he’d had a hard job choosing between the two I had for sale on my website and a couple of days later he ended up buying the other one as well. (The two paintings directly above.)
That he’d remembered my work all that time was incredibly uplifting for me. But that it had also helped him to write his lovely song was just wonderful to discover all these years later.
And so One thing leads to another
Jim has since gifted me a cd of his work, much of which has been covered by internationally renowned folk singer June Tabor. It’s a wonderful, highly evocative album and I’d recommend it to anyone who loves great music and the romance of the sea – and the East Neuk of Fife in particular. It’s called Diamonds In The Night by Andy Shanks and Jim Russell and is available to download at Amazon or from Greentrax Records. Dances With Angels isn’t on this album, but here’s a link to a Youtube video of Andy and Jim performing it live in Orkney back in 2000.
I think it’s great when work made in one art form inspires and informs that made in another. And to have had a wee part in that myself is a lovely thing!
I’ll be listening to Diamonds in The Night a lot this winter while I work, and I’m sure it will in turn inspire many more pictures that are still to be conjured up and painted into existence.
Dances With Angels, words by Jim Russell
The whole town is tumbling down to the sea,
Footsteps we left in the sand
Are gone when the moon pulls up the tide
Changing the paths we had planned.
Where is my comfort? There’s no angels here,
Unless they’re all hiding their wings,
Or dancing in small towns with strangers like me,
Hoping tomorrow brings.
Dances with angels
Dances with angels
They say angels dance by the steeple clock moon
With lighthouses flashing like stars,
Casting shadows and shapes and turning in time
To the staggering songs from the bars.
Now we travel with care and the tracks of our lives
Are a cage, but if you break free,
Go tumbling and turning then soaring like gulls,
Crow stepping down to the sea!
But where is my comfort? There’s no angels here,
Unless their all hiding their wings,
Or dancing in small towns with strangers like me,
Hoping tomorrow brings.
Dances with Angels
Dances with Angels
The streets are all dancing
The children are dancing
The songs from the bars spin around with the stars.
It’s been great to sell some of my work directly via the #artistsupportpledge on Instagram recently. And I’m very excited to unwrap my first pledge purchase today. I bought it having reached £1000 in sales through the scheme and, as promised, I’ll also be sending £100 to Dunfermline Food Bank this week. (See below for more details on how it all works.)
Despite the Covid19 lockdown, I do still have paintings and prints available to buy from Marchmont Gallery, Edinburgh. It’s currently closed to the public, but my pictures can still be viewed and purchased there online.
Click the link below to browse the brochure from my recent solo and contact the gallery if there’s something that takes your fancy.
And here’s a little more info on Artists Support Pledge
Due to the COVID-19 pandemic, many artists have found themselves without work, teaching, technical support and gallery work. Exhibitions and sales have disappeared. ARTIST SUPPORT PLEDGE is an attempt to help alleviate some of this.
The concept is a simple one. Artists post images of their work, on Instigram which they are willing to sell for no more than £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1000 of sales, they pledge to spend £200 on another artist/s work.
Search for pictures using #artistsupportpledge; or use the same tag to sell your own work. Simple!
After a busy few months of painting, I had the opening of my solo show at Marchmont Gallery last Sunday. It was a fantastic afternoon and stayed busy throughout, with a number of people taking away paintings and prints. It was great to have so many people come along and I’d like to say a big “Thank You!” to all those who made it and to all at Marchmont Gallery for being great hosts!
I’ll be topping up the show over the coming weeks, but had to take a week off to recover from the inevitable post-show cold that kept me in bed for days afterwards. I have been thinking about what’s to come though and can’t wait to get back to the easel on Monday.
On the painting front, I’ve been really enjoying using acrylics on larger-scale plywood panels and have prepared 2 new ones to get started on. As is the case with these, I often like to use the golden ratio to determine picture dimensions and sometimes compositional elements too; here’s a recent example below, but there are others in the Marchmont show.
I am hoping to get away soon in my campervan to explore some new areas I haven’t painted before. Possibly a trip to Orkney or even further afield. The Faroe Islands are top of my list for etching inspiration and I can see a lot of printmaking happening over the summer months if I make it there.
If you get along to the show, do get in touch and let me know your thoughts. It’s always great to get any kind of feedback!
It’s been a very productive start to 2020 and I have two new shows coming up this month. There’s my solo show From Edinburgh To The Moon at Marchmont Gallery, which previews on Sunday 16th Feb. And I’ll also be taking part in a printmaking show at Frames Gallery, opening this Friday. All details below …
From Edinburgh to The Moon
I’m currently putting the finishing touches to the last few paintings that will be included in my solo show at Marchmont Gallery and titled From Edinburgh To The Moon. It’ll be a selection of recent mixed-media paintings (including these below) of Edinburgh and Scottish coastal scenes, as well as some hand-made etchings and prints. I will have at least 25 original pieces large and small hanging and can’t wait to see how they look as a collection. You are most welcome to come along to the opening on the 16th (1-4pm) where I’ll be happy to chat about my work and answer any questions. There will also be drinks and nibbles!
Solo Exhibition – Marchmont Gallery, Edinburgh (Preview 16 Feb 1-4pm, all welcome!) Runs until 22 March.
Fife Dunfermline Printmakers Workshop at Frames Gallery
This Friday 7th marks the opening of the Fife Dunfermline Printmakers Workshop exhibition at the lovely Frames Gallery in Perth. The preview is from 6-8pm and there will be around 80 works including a great variety of printmaking techniques and a huge array of subject matter produced by my talented colleagues at the workshop in Dunfermline. I have the following 4 pieces in the show and, altogether, it looks like a fantastic exhibition of work. So go along if you’re in the Perth area and we’ll maybe see you on Friday.
Frames Gallery, Perth (Preview 6-8pm, all welcome!) Runs until 29 February.
There’s 12 pictures to chose from including these 4, some moon etchings and a few others. All details can be found here at Big Cartel.
Buy something unique and help support my work at the same time! If you order straight away there should be plenty time to get it before Christmas. But sooner is always better!
Great news! Tobermory Distillery have invited me to exhibit at their inaugural Edinburgh Art Fair stand and to have my own pop-up gallery on the UK’s 1st ever Fine Art Pub Crawl. My work will be on display at Usquabae Whisky Bar, 2 Hope Street, Edinburgh from this Friday 22 November.
I love whisky and Tobermory has a special place on my palate (pardon the pun!). It was the first whisky I ever bought myself on a visit to the distillery several years ago. I also love that Tobermory is officially know as the Artisan Distiller, so it’s a fitting partnership indeed!
If you happen to be looking for a new piece of original fine art to treat yourself or someone else to this Christmas, go along to the Edinburgh Art Fair this weekend, or visit one of the pubs included on the Fine Art Crawl. And don’t forget to try the 12 Year Old Tobermory while you’re there!
Some giclee prints of selected works and a few etchings are also available at my Big Cartel shop. Slange!
I have these two large pictures for sale at Gallery Heinzel’s upcoming Winter Show. Opens on the 9th Nov and runs until March 2020.
Three Views of The Bass Rock
The above painting has been over a year in the making. It glows and looks great in this frame with non-reflect art glass. The tiniest touch of gold leaf adds a very subtle beam and sparkle to each of the lighthouses. I’d liked to have kept this one for myself, but needs must!
Non-reflective glass allows more light and colour to bounce back from the picture rather than off the glass. This also means there’s no annoying reflections that prevent you seeing the picture properly. It’s very expensive but well worth the money and I’ll be using it more from now on.
Harvest Moon
This Harvest Moon etching is the 3rd variation I’ve made from a single copper plate. This edition is the result of a seemingly never-ending series of painful and time consuming trials with various ink colours (each pigment having its own peculiarities which can make or break a picture). I’m finally happy with this combination. Fellow printmakers have asked how I got the blackest ink and palest orange together without a gap or mixing the two. The simple answer is with great difficulty, as both colours are wiped onto (and off) the plate together for a single pressing. For every successful print two others went in the bin. This is by far the most difficult print I’ve ever made!
This is number 9/20 and is framed and available at the gallery, but there are more unframed copies available. I also have some Super Moons and only a very few Blue Moons left for sale. Contact Gallery Heinzel or myself directly if interested.
The show opens with a preview between 11-2pm at Gallery Heinzel this coming Saturday.
I have these 2 pictures on show and for sale at the annual St Columbas Hospice charity exhibition in Edinburgh this weekend, which officially opens tomorrow with a drinks reception between 6-8pm. It’s a great cause, with at least 50% of all sales revenue going to help with the wonderful palliative care work they do there.
It’s on all weekend and there’s always lots of good art to see and buy. Maybe see you there.
Ramsay Garden from Edinburgh Castle Esplanade is available for sale at Frames Gallery in Perth in their 40th Anniversary Show. It’s on until the 19th Oct so still time to see more than 70 works by as many artists, who have shown with Hugh over the decades. It’s a lovely exhibition of work and well worth seeing if you’re in the Perth area.